The art of Ikebana has been practiced throughout Japan for over a thousand years. Now a widely practiced art form, Ikebana originated as a Buddhist ceremony of offering flowers at the altars of the dead. Later it took on more solid structures and patterns which developed into the many different Ikebana styles that we know and appreciate today. These patterns are always based in communicating the harmony between man and nature. Japanese culture has always had a high respect of and deep connection to nature. To express his connection is the purpose of Ikebana. Ikebana is not about containing nature within a single space, but rather it is meant to show that nature is present everywhere in life. It holds to its own patterns and rhythms regardless of the circumstance or location.
We have been studying Ikebana for two weeks now. Admittedly I do not have what most refer to as a “green thumb” but I have been satisfied with the results so far. We meet every Tuesday in the Home Economics room. Our teacher is a wonderful little lady who is very expressive and helpful in explaining the subject. There are many different styles of Ikebana but we are focusing on Moribana, if my memory serves. Moribana is a good beginner’s style and allows the student to progress easily from level to level.
The key to a proper Ikebana arrangement is to show balance of space and materials, grace of line, and a minimalist esthetic. Arrangements are meant to remind us of our connection to nature by emulating nature itself. This is done with a variety of materials. Moribana uses small shallow containers, heavy floral frogs - small metal plates with thin metal spikes that protrude from the top, water, and three types of plants such as flowers, branches, or fronds. These plants are measured to three sizes using the container to ensure proper length. They are then arranged at three set angles with the tallest in an upright position, the plant of middle height at around forty-five degrees, and the shortest at close to seventy degrees. To ensure that space is both presented and emphasized small decorative accents may be used to ensure proper balance in the arrangement.
It’s surprisingly technical but I find the process very relaxing, especially because we are encouraged to remain silent during the entire process. While arranging the fauna, we are meant to meditate on the patterns and contemplate our connection to nature. I like taking the time to think things through and let my mind focus on a single task rather than mulling over several things at once. It also makes me very happy that after the class we are allowed to take the flowers home to cheer up our livings spaces. My room is much more cheerful with a brightly colored bouquet to welcome me in.